The minimum length of your paper should be 6 pages (not including bibliography). Works Cited should be listed on a separate page. I have uploaded a file of “Final Paper Rubrics” to the Lectures Folder so you have a clear idea of how your final paper will be graded.

FINAL PAPER: Students will write 6-page final papers analyzing their chosen musical
covered in class "A Chours Line" The paper should present a strong thesis, and compelling argument and evidence to support the thesis.

state the topic of the paper, the main argument of the paper, why this main
argument has merit, and what evidence the student will find to prove the argument.

Thesis statement:
Therefore, the paper will expound on a popularly known music genre known as a chorus line by examining the music background, concept, audience, and significance to the current society.

I've added all the needed information for this paper.
A CHORUS LINE Lecture
It is a musical about the unsung heroes behind the glamor of musical theatre—the underpaid and
overworked chorus dancers. They reveal their individual life stories during the audition.
What was the historical significance of A Chorus Line?
It was the first Broadway musical solely about dancers. Michael Bennett, the director and
choreographer of the musical, said in an interview: “Dancers kill themselves in a show. They’re
always the low man on the totem pole. They work like dogs, they get less money than anybody
else, and they don’t get any real credit. I want to do a show where the dancers are the stars.”
It was the first Broadway musical based on real-life stories told in interviews (somewhat like
today’s reality TV show). Michael Bennett interviewed Broadway dancers and had about 24
hours of conversations on tape, from which an idea for the musical was born. The interviews
took place at the Nickolaus Exercise Centers on East 23rd Street, on the evening of January 18,
1974. Fueled by food and cheap red wine that Bennett provided, the dancers told their personal
stories. A Chorus Line took the dancers’ own words and restaged them as a “back stage” show in
a powerfully simple setting—a bare Broadway stage.
A Chorus Line initiated a completely different creative process on Broadway. Prior to A Chorus
Line, musicals were written by a book writer, a composer, and a lyricist, then rehearsed for about.
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