The Egyptians’ pyramids, artwork, culture, writings, and sculptures are fascinating and Americans, as naturally curious and knowledge thirsty as they are, could not afford to overlook that one African nation; Egypt. Standing out in the whole of Africa, Egypt has garnered itself the appellation of origin, knowledge, and sense of life as seen with the vast art and sculptures that magnetically draw millions across the world for what anyone would call an ‘Egyptian experience’. The fascination and unending curiosity for Pharaoh's culture, art, and history in the western world has prompted over the years; Egyptomania. It is a phenomenon observed in the western world encompassing the fascination and subsequently, a modern cultural appropriation of Egypt’s culture into the western world. Egyptomania has its roots veined in the 17^th century with the French campaign in Egypt that saw Frenchmen and artists collect Egyptian relics for Egyptomania tendencies. This essay seeks to summarize Bob’s Braire’s Egyptomania article while also comparing and contrasting the Egyptomania in Washington in the form of a monument with The Eye of Horus.